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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	5	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basse	10	1	2	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

"Night Train" - Philip Glass (arr. for solo piano)

bradleygpittman

7:35	Est. Play Time
123	Measures
	1,516Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		10	9	0	6	93%
		9	1	0	2	100%

J. Hoffenbach, Les contes d'Hoffmann: Couplets bachiques

Mélisande

3:08	Est. Play Time
69	Measures
	1,180Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	37	8	7	100%
	31	43	8	3	100%
Hoffmann	14	0	3	6	75%
B	10	2	1	3	25%
T	11	10	2	3	25%
S	11	5	1	3	24%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)

edward.maurath

0:49	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	20	14	9	2	100%
	9	2	1	3	100%
Alto	10	0	4	3	100%
Violoncello	6	0	1	3	100%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Ténor 1	13	0	2	4	93%
Ténor 2	13	0	3	4	93%
Soprano 1	15	0	4	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	0	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	72%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - SOPRANO 2

Papibois

2:13	Est. Play Time
75	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 1

Papibois

2:13	Est. Play Time
75	Measures
	1,162Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

HWV8A0N7 - Ecco, sen vien - recitativo secco

edward.maurath

0:28	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	13	5	2	100%
	8	1	3	3	100%
Violoncello	7	0	2	3	100%
Apollo	8	0	3	3	86%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione-SOPRANO 1

Papibois

2:13	Est. Play Time
75	Measures
	1,158Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	5	4	87%
Gianetta	9	0	0	4	55%

HWV8A0N13 - La speme, e cura (Erato)

edward.maurath

0:16	Est. Play Time
3	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	12	7	4	3	100%
	7	1	1	2	100%
Erato	7	0	2	3	100%
Violoncello	7	1	1	2	100%

HWV8A0N2 - Melodiosa Germana (Apollo) recitativo secco

edward.maurath

0:42	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
HSC	14	14	2	4	100%
	8	2	1	2	100%
Vcl	7	0	1	2	100%
Apollo	10	0	3	3	89%

Love Is like A Rebellious Bird (L'amour est an oiseau rebelle) - CARMEN (Bizet)

Amanda Tholhuijsen-Quick

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	3	7	91%
	12	5	2	3	93%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	13	0	3	7	91%
	12	5	2	3	93%
	23	6	4	5	93%
	9	1	0	3	100%

Wagner - Parsifal Vorspiel to Akt 2 Klingsor's Zauberschloss. {Professional production full score.}

Jamie Holdham

2:33	Est. Play Time
68	Measures
	1,795Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
CONTRABASSE.	28	0	13	6	84%
Bassoon	8	1	2	4	20%
	27	9	12	7	73%
E Horn	22	5	9	7	73%
Violoncellos	25	0	10	6	71%
3 POSAUNEN.	15	6	8	7	71%
4 HORNER.	20	5	9	6	68%
BASSCLARINETTE. (A)	24	0	8	7	65%
Violins	35	1	16	8	65%
2 CLARINETTEN. (A)	35	2	13	8	62%
1. VIOLINEN. 2.	34	1	15	8	59%
CONTRAFAGOTT.	16	0	9	6	59%
HOBOEN.	17	4	7	5	54%
3 FAGOTTE.	21	4	8	7	48%
ALTHOBOE.	19	0	7	6	47%
A Clarinet	14	3	5	5	47%
BASSTUBE.	16	0	8	6	44%
Trombone	11	0	5	6	44%
Oboe	12	0	6	5	38%
FLOTEN.	15	1	7	6	35%
TROMPETTEN. (F)	14	0	8	6	28%
F Trumpet	11	0	6	7	17%
Flute	8	0	3	5	17%
Contrabasses	20	0	8	4	12%
Pauken.	1	0	0	1	6%

LA BELLE HÉLÈNE d’Offenbach : Chœurs - Partie 10/11 N°21 Chœur et couplets de Pâris. BASSE 1

Papibois

3:37	Est. Play Time
153	Measures
	1,768Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	31	28	10	9	100%
	24	57	11	9	99%
Soli ténor	16	13	6	9	47%
Basse 1	14	0	2	8	46%
Basse 2	13	0	1	8	46%
Soprano 1	13	0	2	8	46%
Soprano 2	11	0	2	8	46%
Ténor 1	12	1	1	8	46%
Ténor 2	12	1	2	8	46%
Soli basse	6	2	1	6	23%
Soli soprano	12	7	2	7	23%

Wagner - Tristan und Isolde Einleitung zu Akt 1. {Professional Production full score.}

Jamie Holdham

19:35	Est. Play Time
111	Measures
	2,616Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli.	33	4	20	8	81%
BRATSCHEN.	35	21	22	9	78%
View all 26 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelli.	33	4	20	8	81%
BRATSCHEN.	35	21	22	9	78%
Bassoon	28	8	16	6	70%
	23	0	15	4	51%
3 FAGOTTE.	28	0	14	4	67%
Englisch Horn.	20	0	10	7	66%
Kontrabasse.	24	5	17	4	66%
Violins	36	3	21	10	66%
I. Violinen. II.	39	3	25	10	56%
2 HOBOEN.	21	0	12	7	54%
A Clarinet	29	0	16	7	54%
Bassklarinette. in A.	27	0	15	6	53%
2 Klarinetten. in A.	24	0	11	7	47%
Oboe	23	0	14	7	46%
Horn in F	18	0	10	6	41%
	24	0	16	4	39%
	16	0	9	6	41%
in F. 4 Horner. in E.	23	0	13	6	41%
2 Floten. (kl.Flote.)	21	0	13	7	37%
Flute	18	0	10	7	24%
Pauken.	4	0	0	3	12%
3 POSAUNEN.	7	2	4	5	11%
Bass Trombone	13	6	5	4	11%
Basstuba.	12	0	4	4	8%
3 Trompetten. in F.	3	0	1	4	3%
F Trumpet	3	0	1	4	3%

Wagner - Tristan und Isolde Love Duet. {Professional production full score.} Unfinished.

Jamie Holdham

0:01	Est. Play Time
130	Measures
	3,429Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
View all 38 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	19	13	12	9	81%
1. Halfte. Br. 2. Halfte.	21	14	12	7	73%
Viol.I. 2. Halfte.	20	12	9	6	71%
Viol.II. 2. Halfte.	16	11	9	6	71%
Fag.	18	23	11	5	70%
in E.	19	0	11	5	59%
Klar. in B.	19	4	11	9	57%
Horn in F	19	0	11	8	56%
in F.	15	0	8	8	53%
in F. Hr. in E.	19	0	8	7	52%
BaBkl. in B.	14	0	6	5	51%
B♭ Clarinet	16	0	9	7	47%
1 Vcl. (allein)	21	1	12	7	46%
Hob.	21	0	13	7	43%
2 I.VI.	21	3	6	9	31%
	19	1	8	9	36%
Violoncellos	9	2	4	6	36%
Bassoon	15	0	10	5	35%
Engl.H.	15	0	7	7	35%
Oboe	12	0	8	7	33%
1. Halfte. Vcl. 2. Halfte.	12	2	5	6	31%
Viol.I.	31	2	17	10	28%
3 Gr.Fl.	13	4	8	7	27%
I. II. K.B. III. IV.	8	0	4	4	19%
Pk.	4	0	1	2	16%
Contrabasses	6	0	2	4	15%
2 II.VI.	11	0	6	4	8%
	13	2	4	6	14%
Flute	1	0	0	3	5%
	8	0	4	5	13%
Hrfe.	26	1	15	4	13%
	18	1	15	3	11%
Trombone	15	8	8	5	12%
I. Pos. II.III.	8	0	5	4	11%
1 Br. (allein)	21	0	13	6	11%
Viol.II.	12	0	9	6	4%
Viola	20	0	10	3	4%
B.T.	3	0	1	2	4%